extended till 30 April, 2018
Studying a new and evocative setting up, Galleria d'Arte Maggiore g.a.m. offers the opportunity to the public to rediscover the expressive strength of some unquestionable masterpieces by Leoncillo, such as the extraordinary sculpture “Amanti Antichi” from 1965. Exhibited in the unusual darkness of the Gallery's main room in the historical venue in Bologna, this work recalls the typical Etruscan topos of the «Sarcophagus of the Spouses», re-elaborated by the artist using his characteristic Informal style through which he can convey the intense inner trouble that has guided his whole art style.
Institutional Critique & Editorial Practices
April 24, 2018
Graduate Center, City University, New York
Mary Ann Caws, Thierry de Duve, David Joselit, Sophie Seita and Elizabeth Zuba will converse in an evening inspired by Dada focusing on the 1917 New York magazine The Blind Man, curated by Marcel Duchamp, Henri-Pierre Roché and Beatrice Wood. The talk will start from impressions received in 2017, during the visit to Pablo Echaurren’s exhibition Du champ magnétique. Works 1977-2017, held at the Scala Contarini del Bovolo, Venice
Galleria d'Arte Maggiore g.a.m. invites you to discover the exhibition “Post Zang Tumb Tuuum. Art Life Politcs: Italia 1918 - 1943” curated by Germano Celant at Fondazione Prada. Among the reconstruction of the original shows, give a closer look at the rooms dedicated to Giorgio Morandi and to the Futurists exhibitions at the 3rd Roma Biennale in 1925 where Giacomo Balla has presented “CanarinGatti - Gatti Futuristi” (1923/24): a joyful artwork conceived as a colorful roll film where a cat tries to chase a songbird, originally made for the bedroom of Tommaso Marinetti ‘s daughter.
Sito realizzato da QuoLAB - Creazione siti Internet Bologna